All the oil paintings of WITTE, Emanuel de

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ID	Image	Painting(From A to Z)	Details
21782		Church Interior (mk08)	c.1660 Oil on canvas 80x66cm St Petersburg,Hermitage
7269		Interior of a Church	Oil on wood, 68 x 51 cm Pushkin Museum, Moscow
7271		Interior of a Church	1668 Oil on canvas Museum Boymans-van Beuningen, Rotterdam
7272		Interior of a Church	c. 1660 Oil on canvas, 80 x 66 cm The Hermitage, St. Petersburg
7273		Interior of a Church	1674 Oil on canvas, 79x 69 cm Wallraf-Richartz Museum, Cologne
56100		interior of a church	mk247 c.1680,oil on canvas,47.25x41 in,120x104 cm,hamburger kunsthalle,hamburg,germany
52558		Interior of a Protastant Gothic Church	1668 Oil on canvas, 78,5 x 111,5 cm
7270		Interior of the Oude Kerk at Delft during a Sermon	1651 Oil on wood, 61 x 44 cm Wallace Collection, London
30581		Interior of the Oude Kerk in Amsterdam	mk68 Oil on canvas The Hague,Mauritshuis c.1654 Netherlands
7275		Interior of the Portuguese Synagogue in Amsterdam	Oil on canvas Rijksmuseum, Amsterdam
7276		Interior with a Woman at the Virginals	c. 1665 Oil on canvas Museum Boymans-van Beuningen, Rotterdam
7268		The Courtyard of the Old Exchange in Amsterdam	1653 Oil on panel, 48 x 47,5 cm Museum Boymans-van Beuningen, Rotterdam
7274		The Interior of the Oude Kerk, Amsterdam, during a Sermon	1658-59 Oil on canvas, 79 x 63 cm National Gallery, London
43194		The Interior of the Oude Kerk,Amsterdam,During a Sermon	mk170 circa 1660 Oil on canvas 51.1x56.2cm

WITTE, Emanuel de
Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family